It is worth noting that if you have a microphone plugged into channel 1 then you plug an instrument into the DI, the microphone is ignored and only the DI signal will go through to the converters. Alternatively plug an instrument into the DI input which comes in on channel 1. Plug in a microphone into the combi jack inputs on the back of iD14, engaging phantom power if it is a condenser microphone (NOTE You must be using the 12V DC adapter if you want to use phantom power). For more detailed or complex setups please look through the other documents on the iD14 support page.įirstly plug in and power on your iD14 and open a new project in your DAW (create a couple of audio tracks set to input 1 and input 2 of the iD14). This is probably the most simple setup to get you up and running with iD14. Once that’s established, you can add ZoomAudioDevice, and the sample rate in Zoom will follow the sample rate for the Pro Tools session -so you won’t need to hear a 44.1 kHz session played back at 48 kHz.This article will show you how to get a mic and DI signal into your DAW as well as getting the sound out of your speakers and/or headphones. The caveat here is to make sure that when you create this new aggregate device, you add your audio interface to it first so that it becomes the clock source. The aggregate device will be recognized by the Mac OS and Pro Tools. You then use Apple’s Audio MIDI Setup utility to create an aggregate audio device that includes your interface and ZoomAudioDevice. You’ll need to ensure that ZoomAudioDevice is installed on your Mac (this is the software audio path into Zoom). The document describes the process in detail, but there are a couple of important points.
The key to getting Zoom to run at other sample rates is in creating an aggregate audio device for the Mac OS that will enable Pro Tools to route audio to multiple destinations at the same time.
One of my colleagues shared a document from Final Final V2 describing how to route Pro Tools into Zoom using a single interface (you can find it here.).
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